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[Trả phí] SVN-Arial Pro (28 fonts) – Việt hóa

Arial is one of the most widely used designs of the last 30 years. Drawn in 1982 by Robin Nicholas and Patricia Saunders for use...
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[Trả phí] SVN-Editor’s Note (16 fonts) – Việt hóa

Say hello to the Editor's Note Family, an editorial serif display that includes 16 fonts, regular and italic, from Hairline weight to Bold, and still...
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[Trả phí] SVN-Intro Script (8 fonts) – Việt hóa

Intro Script carries with it ideas of resurgence, renewal and unconditional freedom. An updated and expanded version of the Intro Rust sub-family, itself developed from...
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[Trả phí] SVN-TWK Everett (20 fonts) – Việt hóa

Everett emerged during Nolan Paparelli’s studies at ECAL/University of Art & Design Lausanne, resulting in his diploma work, and has been evolving ever since. Initially...
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[Trả phí] SVN-Savior Sans (27 fonts) – Việt hóa

Savior Sans is the third collaboration between Sudtipos and Vástago, this is a 9 weight typeface in 3 different widths, condensed, regular and expanded. Its...
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[Trả phí] SVN-Optima Nova (20 fonts) – Việt hóa

With the clear, simple elegance of its sans serif forms and the warmly human touches of its tapering stems, the Optima family has proved popular...
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[Trả phí] SVN-Noah (18 fonts) – Việt hóa

Noah Font Family is more than just another geometric sans serif font Fontfabric… With sharp details and a distinctive arrangement, Noah Font Family further extends...
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[Trả phí] SVN-Neue Montreal (14 fonts) – Việt hóa

A versatile Grotesque font with the spirit of a display font ● Complete with 14 weights (7 Uprights, 7 Italics) and a slightly tighter kerning...
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[Trả phí] SVN-Neue Haas Grotesk Display (16 fonts) – Việt hóa

The first weights of Neue Haas Grotesk were designed in 1957-1958 by Max Miedinger for the Haas’sche Schriftgiesserei in Switzerland, with art direction by the...
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[Trả phí] SVN-Branding (14 fonts) – Việt hóa

Branding, a modern typeface for modern needs! Branding, especially designed for meeting contemporary aesthetic and functional needs, is the interpretation of a modern typeface from...
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